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Backstage Pass - Austin Summer NAMM Show Report

with Ed Mitchell Total Guitar Magazine...

I nearly didn't get into America this time. You see, the guys at customs in the US have a little problem with the word 'journalist.' It doesn't matter what you're reporting on, if you have a camera and a press pass they consider you a potential risk to national security. That's why I found myself sitting in a room full of Hispanics, waiting half an hour to be 'processed.'  "Why have you come to America?" barked the customs dude. 'I'm here to cover the NAMM show in Austin,' says I. "What do you mean 'cover,'" he snaps while eyeballing me through the Perspex window. 'Er, I'm going to take some photographs and write stuff about all the lovely new gear,' I replied. To be honest, I was getting a bit anxious by this point. It wouldn't be the first time a magazine journalist was put straight back on a plane and sent home. Every time this guy asked his supervisor a question, she shook her head. Eventually, I was told I could go. But not before he threw back my passport and said, "Why do I always have to get the difficult ones?". Charming.

Luckily, the NAMM show and its setting in Austin, Texas has made the hellish journey worth it.  It's not a huge show, certainly not on the same scale as the Winter NAMM show in Anaheim, California - or the city-sized show that is the Frankfurt Musik Messe - but there is still plenty to see. As promised last month, I have put together some images of some of the highlights of this year's show, while I am still in Austin. That means you're getting this news before anyone else.

The highlight of the show so far, for me anyway, was the Martin Guitar stand. I spoke to the company's head of artist relations, Dick Boak. Dick has been working with Mark Knopfler, Peter Frampton, Buddy Guy and the late great Johnny Cash on some stunning signature guitars over the past few years. The fruits of his labours made their debut at this show. Take a look at some of the pictures of the Martin guitars on this page. They include a one-of-a-kind airbrushed Custom Martin with a Texas-themed graphic created by Don Oriolo of Felix The Cat Enterprises. Look closely at the pickup truck's window and you might just see Felix himself. I've also included a picture of a Deluxe Martin with gorgeous inlays by the Larry Sifel who sadly died this year. This guitar is priced at $109,000! And yes, I was allowed to play it.
 

Grestch has given its Roundup reissue the true touch of vintage class with this original 50s-style leather binding. I want this guitar!

The other highlight of the show is the vintage-correct Gretsch Roundup guitar. Back in the day these guitars had 'Western' appointments like fingerboard inlays carrying images of cacti and Stetsons. They also had a cool 'G Brand' burnt into the finish. And when the Roundup was reissued in the early 90s, many of the original features were as they should be. The only thing that was missing was the strip of leather, held in place by studs, on the guitar's sides. Well, it's back! Look at the picture to see this awesome looking guitar for yourself. To finish up, I'll run through some of the other news of this year's Summer NAMM.

Just look at the graphic on this Martin guitar. Can you spot Felix The Cat?
This Martin guitar is a work of art. The price? A cool $109,000 to you.


Fender has upgraded its Highway One guitars and basses with new pickups and hardware

Fender has upgraded it Highway 1 Series guitars and basses with improved pickups and hardware. For instance, the Stratocaster model now has a hot bridge pickup and the basses come with Badass bridges as standard. The company also had the usual mouth-watering selection of Custom Shop guitars, including a model that comes with bottles of Fender wine. It's only available in Wine Red, natch. Should improve with age; play only at room temperature. Er, that's enough tortuous plonk jokes. Okay, so Fender also showcased its rock guitar brand Charvel with some cool 80s style rockers with stunning custom paintjobs. There seems to be a real shift back to rock guitars this year, with classic 80s appointments like locking trems and outrageous finishes being the way to go. Pat Wright at Macs will be pleased.

Elsewhere, Boss debuted its new compact pedal looper, the RC-2. This is the smaller brother of the existing RC-50 model. The guy demonstrating it made it sound well, ahem, boss, so it should make the more experimental guitarists among you very happy.

I hope you've enjoyed this report and the pics. It'll be business as usual next month with the usual grumpy intro from me, and an interview with a rock star. See you next month. if they let me back into the UK.

Grab your Spandex - the 80s are back! Gotta love those paintjobs.

Fender's art of aging their guitars just gets better and better each year.

This Custom Shop Fender is so wine red it comes with a couple of bottles of Fender plonk. Is there anything Fender doesn't make these days?

Boss's brand new compact looper, the RC-2, pedal is on its way

This year's Summer NAMM is being held at the Convention Centre in Austin, Texas. Next year, it's back to Nashville.


Back Issues of Backstage Pass...

You can now view back issues of 'Backstage Pass' below...

AUGUST 2005 - Interview with Noodles from 'The Offspring
SEPTEMBER 2005 - Summer Naam Report, Interview with Richie Sambora
OCTOBER 2005 - Interview with Les Paul, Playing tips from Brian Setzer
NOVEMBER 2005 - Interviews with Jonathan Davies and Hugh Burns
DECEMBER 2005 - Interview with Steve Stevens
JANUARY 2006 - Interview with George Thorogood
FEBRUARY 2006 - NAAM Show Roundup - Deke Dickersons Guitar Geek Show
MARCH 2006 - Exclusive Joe Perry Interview
APRIL 2006 - Exclusive interview with Roddy Byers
MAY 2006 - Exclusive interview with Hank Williams III

McCormacks Musical Instruments Ltd. - 29-35 Bath Street - Glasgow - G2 1HT
Tel. 0141 332 6644 - Fax. 0141 353 3095 - E-mail - info@mccormacks-music.com
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